Celebrating Animation from Its Beginnings

For the next five weeks the Academy of Motion Picture Arts and Sciences will be spotlighting animation in a series that stretches from the form’s early beginnings to one of this summer’s most eagerly awaited releases. An Animation Showcase: From Celluloid to CGI will take viewers from trick films made at the turn of the twentieth century by J. Stuart Blackton to a sneak-peek screening of Inside Out. “This celebration of animation is really just the beginning of what I hope will be an ongoing series on filmmaking crafts,” according to Patrick Harrison, the Academy’s Director of New York Programs and Membership. “The Academy gives out awards in 24 categories of filmmaking. We have an opportunity to educate both the … More

Patrick Osborne talks about ‘Feast’

One of five animated shorts nominated for an Academy Award, Feast is the first film directed by Patrick Osborne. An animator who has worked on Disney features like Bolt and Tangled, Osborne received approval for Feast on the basis of a pitch he gave to the shorts program at Walt Disney Animation Studio. Last week Osborne was in New York City to promote Feast. We talked at a midtown Manhattan Disney office. The bulk of the interview appears on the Film Journal website. Osborne is soft-spoken and very articulate, and given the chance he’s also pretty funny. I’ve included some extra material here. On first seeing the finished Feast I wasn’t too like “crazy theater experience person” before this, but … More

NY Times to Selma Filmmakers: Wait Your Turn

Media attention has shifted from Selma to American Sniper, largely because the former movie is struggling at the box office while the latter is breaking records. Selma and its director Ava DuVernay are still drawing attention, but not really for the movie itself. Opinions about the veracity of Selma have subsided into asides about Oscars snubs and DuVernay’s future plans. Scott Mendelson’s recent piece for Forbes — Why I’m Glad ‘Selma’ Director’s Next Film Is Not A Marvel Movie — is typical.  Mendelson writes about DuVernay’s Hurricane Katrina project with actor and producer David Oyelowo; cites two other pieces on the director; and weighs in on whether or not she should direct a Marvel superhero movie. In a sense the … More

‘Sniper’ Backlash

Selma is under attack for refusing to accept the status quo—that President Lyndon Johnson did all he could to advance a civil rights platform.  By depicting Johnson as preoccupied with other issues, even recalcitrant about black demonstrations, director Ava DuVernay has been criticized by everyone from Joseph Califano to Maureen Dowd. The impact has been real, both on the movie’s box office and on its Oscar nominations.  Selma is being punished for being too liberal. American Sniper, on the other hand, is drawing flak for being too conservative.  Originally scheduled for release in 2015, Warner Bros. pulled up its opening day to qualify for this year’s Oscars, a move that resulted in six nominations. Initial industry reviews for Sniper were … More

Decoding ‘Selma’ and ‘American Sniper’

  Obscuring the current Oscar race are trumped-up political controversies regarding Selma and American Sniper, proving that censorship and political correctness cut both ways. First detractors claimed that Selma did not portray President Lyndon Baines Johnson correctly, neglecting his role in the passage of civil rights legislation.  In a Washington Post op-ed, former Johnson aide Joseph Califano went so far as to accuse Selma director Ava DuVernay of “taking dramatic, trumped-up license” by showing Johnson “at odds with Martin Luther King, Jr.” Through poor writing, Califano implied that Johnson was responsible for the march in Selma, and bizarrely insisted that the “movie should be ruled out this Christmas and during the ensuing awards season.” Op-ed writers around the country jumped … More