Early Cartoon Masterpieces Screen in New York City

The Academy of Motion Picture Arts and Sciences continues its five-part series on animation with The History of Silent and Early Sound New York Animation on Tuesday, May 19, at The Academy Theater on East 59th Street in Manhattan. Historian and collector Tommy Stathes, a specialist in early animation, hosts the program, which features cartoons from as early as 1900. The evening’s final film, 1928′s Steamboat Willie, introduced Mickey Mouse to the world. Movies like J. Stuart Blackton’s Humorous Phases of Funny Faces (1906) were made in New York City because that’s where the motion picture industry was concentrated. A vaudeville performer, Blackton would go on to head Brooklyn’s Vitagraph Studios, one of the most successful of the early production … More

Celebrating Animation from Its Beginnings

For the next five weeks the Academy of Motion Picture Arts and Sciences will be spotlighting animation in a series that stretches from the form’s early beginnings to one of this summer’s most eagerly awaited releases. An Animation Showcase: From Celluloid to CGI will take viewers from trick films made at the turn of the twentieth century by J. Stuart Blackton to a sneak-peek screening of Inside Out. “This celebration of animation is really just the beginning of what I hope will be an ongoing series on filmmaking crafts,” according to Patrick Harrison, the Academy’s Director of New York Programs and Membership. “The Academy gives out awards in 24 categories of filmmaking. We have an opportunity to educate both the … More

Patrick Osborne talks about ‘Feast’

One of five animated shorts nominated for an Academy Award, Feast is the first film directed by Patrick Osborne. An animator who has worked on Disney features like Bolt and Tangled, Osborne received approval for Feast on the basis of a pitch he gave to the shorts program at Walt Disney Animation Studio. Last week Osborne was in New York City to promote Feast. We talked at a midtown Manhattan Disney office. The bulk of the interview appears on the Film Journal website. Osborne is soft-spoken and very articulate, and given the chance he’s also pretty funny. I’ve included some extra material here. On first seeing the finished Feast I wasn’t too like “crazy theater experience person” before this, but … More